Las óleos de todo Velasquez


ID Image  Painting (From A to Z)       Details 
59558  
Velasquez, Abbot and hermit Paulo
 
 Abbot and hermit Paulo   mk267 1633 years linen canvas 261 x 192.5 cm Prado Museum in Madrid
59565  
Velasquez, Aesop
 
 Aesop   mk267 in linen canvas 179.5 x 94 cm Prado Museum in Madrid
59567  
Velasquez, Archbishop of Cape Verde
 
 Archbishop of Cape Verde   mk267 1640-1645 years linen canvas 63.5 x 59.6 cm National Museum of London
59501  
Velasquez, Assumption
 
 Assumption   mk267 1618 years linen canvas 135 x 101.6 cm London, National Gallery collection
59560  
Velasquez, Awes Telia
 
 Awes Telia   mk267 1634 years linen canvas 210 x 124 cm Prado Museum in Madrid
59571  
Velasquez, Bishop Maximilian
 
 Bishop Maximilian   mk267 1650 years linen canvas 76 x 58.5 cm National Museum of London
59544  
Velasquez, Carlos Prince Buster
 
 Carlos Prince Buster   mk267 mk267 1631-1632 years linen canvas 128 x 101.9 cm Art Museum of Boston
59559  
Velasquez, Carlos Prince Buster
 
 Carlos Prince Buster   mk267 1634-1635 years linen canvas 208 x 173 cm Prado Museum in Madrid
59552  
Velasquez, Christ on the Cross
 
 Christ on the Cross   mk267 1631 years linen canvas 248 x 169 cm Prado Museum Madrid
59528  
Velasquez, Dionysus
 
 Dionysus   mk267 1629 years linen canvas 1655 x 227.5 cm Prado Museum in Madrid
59566  
Velasquez, Dwarf Juarez
 
 Dwarf Juarez   mk267 1636 -1644 in linen canvas 107 x 83.5 cm Madrid Prado Museum
59575  
Velasquez, Female Textile
 
 Female Textile   mk267 linen canvas 220 x 289 cm Prado Museum in Madrid
59562  
Velasquez, Hunting De accepts Crown Prince Cady
 
 Hunting De accepts Crown Prince Cady   mk267 1635-1636 cm linen canvas 191 x 107cm Prado Museum in Madrid
59561  
Velasquez, In Austria Duke Varser
 
 In Austria Duke Varser   mk267 1634 years linen canvas 314 x 240 cm Prado Museum in Madrid
59534  
Velasquez, Jacob give Joseph a coat of blood
 
 Jacob give Joseph a coat of blood   mk267 1630 years linen canvas 213.5 x 284 cm collection of the Spanish monastery
59502  
Velasquez, Jesus and Maria Mada at home
 
 Jesus and Maria Mada at home   mk267 1619-1620 years linen canvas 60 x 103.5 cm London, National Gallery collection
59570  
Velasquez, Juan Sebastian
 
 Juan Sebastian   mk267 1644 years linen canvas 106.5 x 82.5 cm Madrid Prado Museum
59564  
Velasquez, Money Booth
 
 Money Booth   mk2671939 in linen canvas 178.5 x 93.5 cm Madrid Prado Museum
59500  
Velasquez, Omelette woman
 
 Omelette woman   mk267 linen canvas 99 x 128 cm National Museum of London
59568  
Velasquez, Our Lady of Dai Guanzhong map
 
 Our Lady of Dai Guanzhong map   mk267 1641-1642 years linen canvas 176 x 124 cm Prado Museum in Madrid
59576  
Velasquez, Palace lady
 
 Palace lady   mk267 linen canvas 105 x 88 cm Prado Museum in Madrid
59578  
Velasquez, Perrone Prince
 
 Perrone Prince   mk267 1659 years linen canvas 128.5 x 99.5 cm
59527  
Velasquez, Philip IV
 
 Philip IV   mk267 1623 linen canvas 198 x 101.5 cm Prado Museum Madrid
59556  
Velasquez, Philip IV
 
 Philip IV   mk267 linen canvas 195 x 110 cm London, National Gallery collection
59572  
Velasquez, Pope Innocent X
 
 Pope Innocent X   mk267 1650 years linen canvas 82 x 71.5 cm Wellington Museum London
59577  
Velasquez, Princess Margaret
 
 Princess Margaret   mk267 1659 years linen canvas 129 x107 cm
59573  
Velasquez, Princess Marian
 
 Princess Marian   mk267 1652 years linen canvas 234 x 132 cm Prado Museum in Madrid
59574  
Velasquez, Princess Marian
 
 Princess Marian   mk267 1653 years linen canvas 127 x 98.5 cm Dallas Museum
50521  
Velasquez, Smelt Factory
 
 Smelt Factory   mk212 1630 Oil on canvas 222.9x289.9cm
59504  
Velasquez, St. John in Bai Temu Si
 
 St. John in Bai Temu Si   mk267 1619 years linen canvas 135.5 x 102.2 cm London, National Gallery collection
59498  
Velasquez, St. Thomas
 
 St. Thomas   mk267 Years 1618-1620 linen canvas 105 x 85 cm Orleans Museum of Art Collection
59555  
Velasquez, St. Thomas s confusing
 
 St. Thomas s confusing   mk267 1631 years linen canvas 244 x 203 cm London, National Gallery collection
59523  
Velasquez, The Louise  Asia gram raises
 
 The Louise Asia gram raises   mk267 linen canvas 50.3 x 40.5 cm collection of the Boston Museum of Art
59516  
Velasquez, The spirit of Christ and supervision
 
 The spirit of Christ and supervision   mk267 1628 years linen canvas 165 x 206 cm National Museum of London
50874  
Velasquez, The Warter-seller of Seville
 
 The Warter-seller of Seville   mk216 Oil on canvas
52738  
Velasquez, The Water-seller of Seville
 
 The Water-seller of Seville   mk223 Oil on canvas
59499  
Velasquez, Those who sell water
 
 Those who sell water   mk267 Years 1618-1622 linen canvas 107.7 x 81.3 cm Wellington Museum London
59514  
Velasquez, Three Oriental doctor's blessing
 
 Three Oriental doctor's blessing   mk267 1619 years linen canvas 203 x 125 cm Prado Museum in Madrid
59537  
Velasquez, Vulcan s smelter
 
 Vulcan s smelter   mk267 1630 years linen canvas 223 x 290 cm Prado Museum in Madrid
59569  
Velasquez, Yage Arab League are many
 
 Yage Arab League are many   mk267 1644 years linen canvas 106 x 82.5 cm Madrid Prado Museum

Velasquez
1599-1660,Spanish painter. He was apprenticed to Francisco Herrera the Elder before being trained by Francisco Pacheco. His early works were mostly religious or genre scenes. After arriving in Madrid in 1623, he painted a portrait of Philip IV that won him immediate success and an appointment as court painter. His position gave him access to the royal collections, including works by Titian, who exerted the greatest influence on his style. In his portraits from this period, only the faces and hands of the figures are accentuated, and the dark figures stand out against a light background. A visit to Italy (1629 ?C 31) further developed his style, and on his return to Madrid he entered his most productive period. Velazquez created a new type of informal royal portrait for Philip hunting lodge, and his portraits of court dwarfs display the same discerning eye as those of his royal subjects. On a second visit to Rome (1649 ?C 51) he painted a portrait of Pope Innocent X. The powerful head, brilliant combinations of crimson of the curtain, chair, and cope are painted with fluent technique and almost imperceptible brushstrokes that go far beyond the late manner of Titian and announce the last stage in Velazquez development. This portrait was copied innumerable times and won him immediate and lasting renown in Italy. In his last years he created his masterpiece, Las Meninas (The Maids of Honour, 1656). In this casual scene, the artist is shown painting the king and queen in the presence of the infanta Margarita and her attendants; the nearly life size figures are painted in more or less detail according to their relation to the central figure of the infanta and to the source of light, creating a remarkable illusion of reality never surpassed by Velazquez or any other artist of his age. He is universally acknowledged as one of the giants of Western art.



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